The Classical Debt: Greek Antiquity in an Era of Austerity. Cambridge, Mass.: Harvard University Press/Belknap Press. 2017.
Lycurgan Athens and the Making of Classical Tragedy. Cambridge: Cambridge University Press, Cambridge Classical Studies series. 2014.
Creative Lives in Classical Antiquity: Poets, Artists and Biography. Co-edited with Richard Fletcher. Cambridge: Cambridge University Press, Cambridge Classical Studies series. 2016.
“Why 386 BC?: Lost empire, old tragedy, and reperformance in the era of the Corinthian War,” Trends in Classics (2015) 7.2 277-96.
"The Great Dionysia and the End of the Peloponnesian War," Classical Antiquity (2014) 33.2 319-46.
"Epitaphoi Mythoi and Tragedy as Encomium of Athens," Trends in Classics (2013) 5.2 289-317.
"Aristotle and the Tragic Theater in the 4th Century BC: A Response to Jennifer Wise," Arethusa 44.3 (2011) 311-328.
"The Epitaph for Atthis: A Late Hellenistic Poem on Stone," JHS 130 (2010) 15-34.
"The Life of the Author in the Letters of 'Euripides'," GRBS 50.4 (2010) 537-564.
"Literary Politics and the Euripidean Vita," CCJ 54 (2008) 115-135.
Chapters in books
“Knowledge transmission: media and memory,” in A Cultural History of Theatre. Volume I: A Cultural History of Theatre in Antiquity (500 BCE-500 CE), ed. M. Revermann. London: Bloomsbury Academic/Methuen Drama (2017) 181-95.
“Archives, repertoires, bodies and bones: thoughts on reperformance for classicists,” in Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric, eds. R. Hunter and A. Uhlig. Cambridge: Cambridge University Press (2017) 21-41.
“Anonymous: The Epitaph for Atthis (SGO I 01/01/07),” in Hellenistic Poetry: A Selection, ed. D. Sider. Ann Arbor: University of Michigan Press (2016) 3-7.
(With Anna Uhlig) “My Poetry did not die with me: Aeschylus and his afterlife in the Classical Period,” in The Reception of Aeschylus’ Plays through Shifting Models and Frontiers, ed. S. Constantinidis. Leiden: Brill (2016) 51-79.
"What's in a Life? Some Forgotten Faces of Euripides," in Creative Lives in Classical Antiquity: Poets, Artists and Biography, eds. R. Fletcher and J. Hanink. Cambridge: Cambridge University Press (2016) 129-46.
“Literary Evidence for New Tragic Production: The View from the Fourth Century,” in The Greek Theatre in the Fourth Century BC, eds. E. Csapo, J.R. Green and P. Wilson. Berlin: De Gruyter/German Archaeological Institute (2014) 189-206.
"Crossing Genres: Comedy, Tragedy, and Satyr Play," in M. Fontaine and A. Scafuro (eds.), The Oxford Handbook of Greek and Roman Comedy. Oxford and New York: Oxford University Press (2014) 258-77.
"The Classical Tragedians, from Athenian Idols to Wandering Poets," in I. Gildenhard and M. Revermann (eds.), Beyond the Fifth Century: Interactions with Greek Tragedy from the Fourth Century BCE to the Middle Ages. Berlin: De Gruyter (2010) 35-64.
Papers in conference proceedings
"Parallel Lives. Civic Rhetoric in the Native Receptions of Euripides and Dante," Centopagine (special issue: "Leggere le vite di autori") 3 (2009) 20-29.