Kiri Miller is an ethnomusicologist whose work focuses on participatory culture, popular music, interactive digital media, and virtual/visceral performance practices. Her latest book, Playable Bodies: Dance Games and Intimate Media, investigates how motion-sensing interfaces teach choreography, cultivate new embodied experiences of popular music, and stage domestic surveillance as intimate recognition (forthcoming in March 2017 from Oxford University Press). Her previous monographs are Playing Along: Digital Games, YouTube, and Virtual Performance (Oxford, 2012) and Traveling Home: Sacred Harp Singing and American Pluralism (Illinois, 2008). Miller completed the Ph.D. in Music at Harvard in 2005 and was a Killam Memorial Postdoctoral Fellow at the University of Alberta before joining the Brown faculty in 2007. She has published articles in Ethnomusicology, New Media & Society, Game Studies, American Music, 19th-Century Music, the Journal of American Folklore, Oral Tradition, and the Journal of the Society for American Music. In 2010-11 she held fellowships from the Radcliffe Institute for Advanced Study and the American Council of Learned Societies. Miller's regular course offerings include Musical Youth Cultures, Digital Media and Virtual Performance, Introduction to Ethnomusicology, Music and Technoculture, Ethnography of Popular Music, and World Music in Theory and Practice.