Books/Monographs
Cut/Hoard/Suture: Aesthetics in Relation, Duke University Press, under contract.
Abject Performances: Aesthetic Strategies in Latino Cultural Production. Durham: Duke University Press, 2018.
Chapters in books
“Malflora Aberrant Femininities,” in Axis Mundo: Queer Networks in Chicano L.A. ed. C. Ondine Chavoya, David Franz and Macarena Gómez-Barris. New York: Prestel Publishing, 2017.
Peer-reviewed Journal Articles
“To Have and To Hoard: Xandra Ibarra’s Object Lessons,” Feminism’s Bad Objects, special issue, South Atlantic Quarterly, 122:3 (July, 2023), 525-547.
“Speculative Sutures: On Firelei Baéz’s Ciguapas,” The Futurities of Latinx Speculative Fictions Special Cluster, ASAP/Journal, Dec 2019.
“Ghostly Givings: Nao Bustamante’s Melancholic Conjuring of Brownness,” Women & Performance: A Journal of Feminist Thought, 29.3 (2019): 243-255.
“Flora and Fauna Otherwise: Black and Brown Aesthetics of Relation in Firelei Báez and Wangechi Mutu,” Latin American and Latinx Visual Culture, 1.3 (July 2019): 8-24.
“Asco’s asco and the Queer Affective Resonance of Abjection,” Aztlán: A Journal of Chicano Studies, 40.2 (Fall 2015): 63-94.
"'What Comes After Loss?': Ana Mendieta After José,” Small Axe: A Caribbean Journal of Cultural Criticism, 19.2 (July 2015): 104-110.
“ ‘…Toward A Personal Will To Continue Being “Other”’: Ana Mendieta’s Abject Performances,” Journal of Latin American Cultural Studies, 24.1 (March 2015): 65-85.
Catalogues and edited volumes
““Y-que!” Non-normative Archives of Pleasure and Resistance,” in Tumbados: Lowriding Memories and Cruising Futures, edited by Guadalupe Rosales, Cambridge: The MIT Press/The Storefront for Art and Architecture, forthcoming.
“Ghostly Givings: Nao Bustamante’s Melancholic Conjuring of Brownness,” (reprint) in Amateur: Nao Bustamante edited by Laura Gutierrez, Durham: Duke University Press (under contract)
“Material and Matter: King Cobra in Conversation with Leticia Alvarado” in Scientia Sexualis, eds. Jennifer Doyle and Jeanne Vaccaro, Los Angeles: Inventory Press/Institute of Contemporary Art, Los Angeles, 2024.
“Archipelagic Splay, Cartographic Obliteration: Firelei Báez and the Black Atlantic,” in Firelei Báez, eds. Eva Respini and Barbara Lee, Boston: DelMonico Books/Institute of Contemporary Art, Boston, exhibition catalogue. 2024: 27-32.
“Abjection” in The Art Institute of Chicago Field Guide to Photography and Media. eds Antawan Byrd, Michal Raz-Russo, Elizabeth Siegel, Matthew Witkovsky. Chicago: The Art Institute of Chicago, 2022.
“Abjection,” in Keywords for Gender and Sexuality Studies. eds. Aren Aizura, Aimee Bahng, et al. New York: New York University Press, 2021.
“Malflora Aberrant Femininities,” in Axis Mundo: Queer Networks in Chicano L.A. eds. C. Ondine Chavoya, David Franz and Macarena Gómez-Barris. New York: Prestel Publishing, 2017: 94-109.
Artist Biographies
“Judith Baca,” in Axis Mundo: Queer Networks in Chicano L.A. ed. C. Ondine Chavoya, David Franz and Macarena Gómez-Barris. New York: Prestel Publishing, 2017.
“Patssi Valdez,” in Axis Mundo: Queer Networks in Chicano L.A. ed. C. Ondine Chavoya, David Franz and Macarena Gómez-Barris. New York: Prestel Publishing, 2017.
Book Reviews
(Solicited) The Great Woman Singer: Gender and Voice in Puerto Rican Music. By Licia Fiol-Matta. (Durham: Duke University Press, 2017). January 2018 Latino Studies.
From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Edited by Myra Mendible. (Austin: University of Texas Press, 2007). Latino Studies 7.4 (June 2009): 520-522.
Op-Eds
“Zimmerman, Whiteness and Latinos,” ABC News Online, July 18, 2013.
