Lynne Joyrich is Professor of Modern Culture and Media at Brown University where she teaches courses in film and television studies, gender and sexuality studies, and cultural and critical theory. She has affiliations as well with American Studies, Gender and Sexuality Studies, and Theater and Performance Studies. She is co-editor of the journal Camera Obscura and the author of Re-viewing Reception: Television, Gender, and Postmodern Culture. Her pieces on film, television, convergent media, feminist theory, and queer theory have appeared in such journals as Critical Inquiry, Cinema Journal, differences, Discourse, Journal of e-Media Studies, Journal of Visual Culture, and Transformative Works and Cultures, and such books as Inventing Film Studies; Logics of Television; Mad Men, Mad World; Modernity and Mass Culture; New Media/Old Media; Pedagogy: The Question of Impersonation; Postmodern After-Images; Private Screenings; and Queer TV. She is currently working on a book on epistemologies of gender and sexuality in US TV.
Joyrich, Lynne. "American Dreams and Demons." The Black Scholar, vol. 48, no. 1, 2018, pp. 31-42. |
"Haphazard Archive: The Epistemological, Aesthetic, and Political Contradictions of U.S. Television,." Journal of e-Media Studies , 2015. |
"Tubular Vision: The Ins and Outs of Television Studies." New Media, Old Media: A History and Theory Reader, second edition, edited by Wendy Hui Kyong Chun, Anna Watkins Fisher, and Thomas Keenan, Routledge Press, 2015.
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"Camera Obscura: Feminism, Culture, and Media Studies." 2015. |
Joyrich, L., Kavka, M., Weber, B. R. "Project Reality TV: Preshow Special." Camera Obscura: Feminism, Culture, and Media Studies, vol. 30, no. 1 88, 2015, pp. 1-9. |
Joyrich, Lynne. "Queer Television Studies: Currents, Flows, and (Main)streams." Cinema Journal , vol. 53, no. 2, 2014, pp. 133-139. |
"Media Madness: Multiple Identity (Dis)Order in Mad Men." Mad Men, Mad World: Sex, Politics, Style, and the 1960s, edited by Lauren Goodlad, Robert Rushing, and Lilya Kaganovsky, Duke University Press, 2013.
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"From Film to Television: Journeys in Feminist Media Studies." Gender, Theory and Culture, Nanjing University Press, no. 1, 2010.
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"Bringing Race and Media Technologies into Focus." Camera Obscura, no. 70, 2009. |
"Epistemology of the Console." Queer TV: Theories, Histories, Politics, edited by Glyn Davis and Gary Needham, Routledge Press, 2009.
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"The Magic of Television: Thinking Through Magical Realism in Recent TV." Transformative Works and Culture , no. 3, 2009. |
Lynne Joyrich, Amelie Hastie, Patricia White, and Sharon Willis.
"(Re)Inventing Camera Obscura." Inventing Film Studies, edited by Lee Grieveson and Haidee Wasson, Duke University Press, 2008.
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"Guided by TV." Journal of Visual Culture, vol. 6, no. 2, 2007.
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"Re/Producing Cult TV: The Battlestar Galactica Issue." FlowTV, vol. 7, 2007.
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Joyrich, L. "journal of visual culture: Guided by TV." Journal of Visual Culture, vol. 6, no. 2, 2007, pp. 209-217. |
Lynne Joyrich, Amelie Hastie, Patricia White, and Sharon Willis. "Archiving the Past/Imagining the Future." Camera Obscura, no. 61, 2006. |
Joyrich, L. "Closet Archives." Camera Obscura: Feminism, Culture, and Media Studies, vol. 21, no. 3 63, 2006, pp. 137-143. |
"Written on the Screen: Mediation and Immersion in Far From Heaven." Camera Obscura, no. 57, 2004. |
"Birthmarks." differences, vol. 14, no. 1, 2003. |
"Epistemology of the Console." Critical Inquiry, vol. 27, no. 3, 2001. |
"Feminist Enterprise? Star Trek: The Next Generation and the Occupation of Femininity." Cinema Journal , vol. 35, no. 2, 1996. |
Re-viewing Reception: Television, Gender, and Postmodern Culture. . Indiana University Press, 1996.
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"Give me a girl at an impressionable age and she is mine for life: Jean Brodie as Pedagogical Primer." Pedagogy: The Question of Impersonation, edited by Jane Gallop, Indiana University Press, 1995.
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Lynne Joyrich, James Castonguay, Amelie Hastie, Christopher Lane, and Kathleen Woodward.
"Gloria Patri, Gender, and the Gulf War: A Conversation with Mary Kelly." Discourse, vol. 17, no. 1, 1994.
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"Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis." differences, vol. 5, no. 1, 1993.
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"All That Television Allows: TV Melodrama, Postmodernism, and Consumer Culture." Private Screenings: Television and the Female Consumer, edited by Lynn Spigel and Denise Mann, University of Minnesota Press, 1992.
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"Going Through the E/Motions: Gender, Postmodernism, and Affect in Television Studies." Discourse, vol. 14, no. 1, 1991.
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"Tube Tied: Television, Reproductive Politics, and Moonlighting." Modernity and Mass Culture, edited by James Naremore and Patrick Brantlinger, Indiana University Press, 1991.
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"Critical and Textual Hypermasculinity." Logics of Television: Essays in Cultural Criticism , edited by Patricia Mellencamp, Indiana University Press, 1990.
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"Television and the Cyborg Subject(ed)." 1989.
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"All That Television Allows: TV Melodrama, Postmodernism, and Consumer Culture." Camera Obscura, no. 16, 1988. |
Year | Degree | Institution |
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1990 | PhD | Brown University |
1984 | MA | Brown University |
1981 | BA | University of Michigan |
2015: Faculty Fellowship, The Cogut Center for the Humanities, Brown University.
2006-07: Faculty Fellowship as the Edwin and Shirley Seave Faculty Fellow for the seminar "The Question of Consent," The Pembroke Center for Teaching and Research on Women, Brown University.
2009: Harriet W. Sheridan Award for Distinguished Contribution to Teaching and Learning, Brown University.
2005-06: Faculty Fellowship and Seminar Leader, "Mediated Bodies/Bodies of Mediation," The Pembroke Center for Teaching and Research on Women, Brown University.
2005: Cogut Center for the Humanities Grant for the Working Group on "Perverse Spectacles: Critical Theories of Pornography and Exhibitionism," Brown University.
2001-02: Faculty Fellowship, The Pembroke Center for Teaching and Research on Women, Brown University.
2000: UTRA Grant, Brown University.
1998-99: Fellowship, The Center for Twentieth Century Studies, The University of Wisconsin-Milwaukee (spring, 1998-99 academic year).
1997: Participant, USIA University Affiliations Grant.
1996-97: Visiting Scholar, The Pembroke Center for Teaching and Research on Women, Brown University.
1989-90: Fellowship, The Center for Twentieth Century Studies, The University of Wisconsin-Milwaukee.
1987-88: Brown University Curricular Development Grant.
1981: Phi Beta Kappa, The University of Michigan.
GNSS 1507 - Queer Theories |
MCM 0240 - Television Studies |
MCM 0730B - TV/Not TV: Theory and Practice |
MCM 0730B - TV/Not TV: Theory and Production |
MCM 0800L - I Don't Even Know Why They Call It Color TV: Television and Race in America |
MCM 1204Y - Star Studies and Golden Age Hollywood |
MCM 1501O - Television, Gender, and Sexuality |
MCM 1505P - Channeling Race: Television and Race in America |
MCM 1507B - Queer Theories |
MCM 2100O - Queer Theories |
MCM 2300B - Television, Gender and Sexuality |
MCM 2310H - Television Realities |
MCM 2310I - At the Limits: Media Representation of the Holocaust |