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Mikhail Vrubel: From the Academy to the Avant-Garde, 1856–1910. Reaktion, 2026.
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"Ivan Aivazovsky’s Imperial Sublime: The Politics and Aesthetics of Romantic Landscape Painting in the Age of Empire.", New York, Routledge, 2025.
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"Before and Beyond the Avant-Garde: The Forgotten Art Histories of Nikolai Punin and Nikolai Tarabukin." What Is to Be Done? Art Practice, Theory, and Promotion in Late Imperial and Soviet Russia , edited by Ludmila Piters-Hofmann, Logos Verlag Berlin, 2024.
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"To the Caucasus": Representations of Empire in the Visual Arts at Abramtsevo (1870s-1890s)." Picturing Russian Empire, edited by Valerie Kivelson, Sergei Kozlov, and Joan Neuberger, Oxford University Press, 2023.
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Taroutina, Maria.
"De anjos a demônios: Mikhail Vrubel e a busca por um idioma modernista." 19&20, vol. XVIII, 2023, pp. np-np.
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Taroutina, Maria.
"Eastern Encounters: Ilia Repin's Orientalist Aesthetics Abroad and at Home." Art History, vol. 46, no. 2, 2023, pp. 228-255.
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Taroutina, Maria.
"From Zen Buddhism to the “zero of form”.", 2023.
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Taroutina, Maria.
"Negotiating between East and West: The Case of Russian Orientalism." World Art, vol. 13, no. 1, 2023, pp. 7-28.
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Russian Orientalism in a Global Context: Hybridity, encounter, and representation, 1740-1940. edited by Maria Taroutina, Allison Leigh, Manchester University Press, 2023.
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Икона и квадрат: Русский модернизм и русско-византийское возрождение. Academic Studies Press, 2023.
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Taroutina, Maria.
"The Visual Arts.", 2022, pp. 194-204.
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Taroutina, Maria.
"Exotic Aesthetics: Representations of Blackness in Nineteenth-Century Russian Painting." Slavic Review, vol. 80, no. 2, 2021, pp. 267-279.
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"Representations of Race in Russian Art of the “Long” Nineteenth Century." New York University Jordan Center for the Advanced Study of Russia, 2021.
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"Book Review of Katherine M. H. Reischl's Photographic Literacy: Cameras in the Hands of Russian Authors. Ithaca:
Cornell University Press, 2018." H-Net Reviews, 2020.
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New Narratives of Russian and East European Art
Between Traditions and Revolutions. edited by Maria Taroutina, Galina Mardilovich, New York: Routledge, 2020.
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Louise Hardiman, Ludmila Piters-Hofmann, Maria Taroutina.
"Abramtsevo and Its Legacies: Neo-National Art, Craft and Design." Experiment: A Journal of Russian Culture , vol. 25, no. 1, 2019.
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"Blurring Boundaries: Mikhail Vrubel's Decorative Turn and the Rise of Russian Modernism." New Narratives of Russian and East European Art Between Traditions and Revolutions , edited by Maria Taroutina, Galina Mardilovich, New York: Routledge, 2019, pp. 79-94.
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Taroutina, Maria.
"The Poetics and Aesthetics of Otherness." Experiment, vol. 25, no. 1, 2019, pp. 53-67.
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"A Most Curious Place”. VASILY POLENOV AND ILYA REPIN’S 1875 VISIT TO LONDON." The Tretyakov Gallery Magazine, no. (2019) 64, 2019.
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The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival. Pennsylvania State University Press, 2018.
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Taroutina, Maria.
"2. From Angels to Demons: Mikhail Vrubel and the Search for a Modernist Idiom.", 2017, pp. 37-68.
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Taroutina, Maria.
"Between East and West." Experiment, vol. 23, no. 1, 2017, pp. 66-79.
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Taroutina, Maria.
"Iconic Encounters: Vasily Kandinsky’s and Pavel Florensky’s ‘Mystic Productivism’." postmedieval: a journal of medieval cultural studies, vol. 7, no. 1, 2016, pp. 55-65.
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"Second Rome or seat of savagery? Byzantium in nineteenth-century European imaginaries." Civilisation and nineteenth-century art A European concept in global context, edited by David O'Brien, Manchester University Press, 2016.
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Byzantium/Modernism: The Byzantine as Method in Modernity. edited by Maria Taroutina, Roland Betancourt, Brill, 2015.
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Taroutina, Maria.
"Introduction: Byzantium and Modernism.", 2015, pp. 1-13.
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