Paul Myoda (b. 1967, United States) is a Japanese-American sculptor based in Rhode Island. Myoda is inspired by the underlying logic and formal principles of the natural world and applies them to his work with new media and industrial materials. The results are compositions of light, motion, and form that investigate tensions between beauty and ugliness, the organic and the manufactured, and traditional and experimentation. His sculptures and installations are regularly exhibited both nationally and internationally.
Myoda earned a BFA from the Rhode Island School of Design and an MFA from Yale University. Based in NYC from 1990-2006, Myoda was represented by the Friedrich Petzel Gallery, and was co-founder of Big Room, an art production and design collective in New York City. He was also a contributor to Art in America, Flash Art and Frieze. He is a recipient of grants from the National Endowment for the Arts, Warhol Foundation and Howard Foundation, among others. In 2001 he participated in the Lower Manhattan Cultural Council’s World Views Program and had a studio on the 91st floor of WTC I. In March of 2002 he co-created the Tribute in Light in memory of the tragic events of September 11th, 2001, which has since become an annual installation.
Over the past two decades, Myoda has been developing a series of interactive illuminating sculptures and sculptural installations that respond to the presence of viewers. Their design is informed by a wide range of forms, such as bioluminescent fauna, crystal morphology and religious nimbuses. An example of hybrid arts practice and new media sculpture, the series bridges the disconnections and eases the anxieties of the post-industrial world through affect, presence and responsive gesture. His works are part of the collections of the Queens Museum of Art, Museum of Contemporary Art, San Diego, the Museum of Contemporary Art, Miami and the Library of Congress, among others. He has had solo exhibitions of this series of works at the Dorsch Gallery, Miami, FL; the Project 4 Gallery, Washington DC; the Yellow Peril Gallery, Providence, RI; the Maine Museum at the University of Maine; the Peligro Amarillo Gallery, San Juan, Puerto Rico; and the Plug-In Exhibition, Istanbul, Turkey, in addition to numerous group exhibitions.
He is an Associate Professor in Brown University's Visual Art Department, where he has been teaching since 2006.
SOLO EXHIBITIONS
2025 Poly-Perspectives, Chazan Gallery, Providence, RI
2017 41°52'40.0"N 71°44'37.0"W, Yellow Peril Gallery, Providence, RI
2016 Peligro Amarillo, Santcure, San Juan, Puerto Rico
2015 ƎRƎH, University of Maine Museum of Art, Bangor, Maine
2014 Plug-In, Istanbul, Turkey
2013 Glittering Machines III, Yellow Peril Gallery, Providence, RI
2012 Glittering Machines II, Project 4 Gallery, Washington, D.C.
2011 Glittering Machines, Dorsch Gallery, Miami, FL
2000 Dust, Friedrich Petzel Gallery, NY, NY
1997 Clouds, Friedrich Petzel Gallery, NY, NY
1995 Gargoyles II, Bard College, Annandale-on-Hudson, NY
Gargoyles, Friedrich Petzel Gallery, NY, NY
1993 Strawman II, Jason Rubell Gallery, Miami, FL
Strawman, Friedrich Petzel Gallery, NY, NY
PUBLIC ART
2002-25 Tribute In Light, annual memorial illuminated in memory of September 11th, 2001, NY, NY
TWO-PERSON EXHIBITIONS
2016 Drawings: Wade Kramm & Paul Myoda, Piero Atchugarry, Pueblo Garzón, Uruguay
2015 Piero Atchugarry Gallery: Artissima: “Brookhart Jonquil & Paul Myoda,” Turin, Italy
2012 Illuminations: Paul Myoda & Stephanie Pender, Chazan Gallery, Providence, RI
1995 Works on Paper: Paul Myoda & Nicola Tyson, Friedrich Petzel Gallery, NY, NY
GROUP EXHIBITIONS
2023 Drawings by Sculptors, Helena Anrather Gallery, NY, curated by Carl D’Alvia
2021 Louise Weinberg, Curator, Godwin-Ternbach Museum, Queens College, Flushing, NY
2018 Contemporary Istanbul: Plug-In. Curated by Ceren and Irmak Arkman. Istanbul, Turkey
2017 Nonspaces, Akbank Sanat. Curated by Ceren and Irmak Arkman. Istanbul, Turkey
Draw-a-go-go, Hera Gallery drawing marathon and benefit, Wakefield, RI
2016 Three Kinds of Light (Myoda, Petrucci, Jonquil), E3 Arte Contemporanea, Brescia, Italy
Piero Atchugarry Gallery: Sp-Arte, Sao Paulo International Art Fair, Sao Paulo, Brazil
2015 Amore E Scelta, Collezione della Fondazione Pablo Atchugarry, Pueblo Garzón,
Uruguay
Piero Atchugarry Gallery: ArteFiera di Bologna: “Adelman, Anuszkiewicz, Feinstein,
Leach, Myoda,” Bologna, Italy
Faculty Exhibition: 2015, Bell Art Gallery, Brown University, Providence, RI
Blueprint 2.0, curated by Sebastian Bremer, Florian Idenburg and Jing Liu of SO_IL,
Storefront for Art & Architecture, NY, NY
2014 Cutlog, New York, NY
9/11 Memorial Museum, NY, NY
Scope NYC, New York, NY
Blueprint 2.0, curated by Sebastian Bremer, Florian Idenburg and Jing Liu of SO_IL,
Museum of Contemporary Art, Tuscon, Arizona
Blueprint 2.0, curated by Sebastian Bremer, Florian Idenburg and Jing Liu of SO_IL,
Kunsthal KAdE, Amersfoort, Netherlands
Articulated Structures: Paul Myoda, Jacqueline Ott, Jane South, Dedee Shattuck
Gallery, Westport, MA
Exquisite Corpse, SCAC, Spring Arts Festival, Brown University, collaborative work with
John Cayley
2013 Untitled, Miami art fair, presented by Emerson-Dorsch Gallery, Miami, FL
PVD: TLA, curated by Maya Allison, Studio 1504, Abu Dhabi
Small Works, Dedee Shattuck Gallery, Westport, MA
Locally Made: One Room, RISD Museum, Providence, RI
Bushwick Open Studios, Yellow Peril at LightSpace, Brooklyn, NY
Work Harder: Installations from Yellow Peril at LightSpace, curated by Robert P. Stack.
Brooklyn, NY
2012 Interaction/Immersion, curated by R.K. Projects and Allison Paschke, Pawtucket, RI
Firstworks; Pixilerations [v.9], Sol Koffler Gallery, RISD, Providence, RI
Because Dreaming is Best Done in Public, Laurie M Tisch Illumination Fund, NY, NY
2011 Firstworks; Pixilerations [v.8], Granoff Center, Providence, RI
Beyond 9/11, Milk Gallery, NY, NY
Big Screen Plaza, curated by Stephanie Dodes, projections in NY, NY
Home: Dream Home, Praxis International Art, curated by Grela Orihuela, Miami, FL
2010 Faculty Triennial 2010, David Winton Bell Gallery, Brown University, Providence, RI
2009 Firstworks; Pixilerations [v.6], 5 Traverse Gallery, Providence, RI
Art Basel Miami Beach, presented by Creative Time and D.A.P./Distributed Art
Publishers, Miami, FL
2008 Scene/Seen: Recent Acquisitions from the Luckman Fine Arts Complex Permanent
Collection, 1979-2006. Luckman Fine Arts Complex, California State University,
Los Angeles, CA
The Downtown Dinner, Lower Manhattan Cultural Council Exhibit/Benefit, NY, NY
2007 Ruy Klein Architects. Exhibition at the Bayard Ewing Building, RISD Department of
Architecture and Landscape Architecture, Providence, RI
Firstworks; Pixilerations [v.4]: Stories +/-Ornament. Sol Koffler Gallery, Providence, RI
Faculty Exhibition: 2007, List Art Gallery, Brown University, Providence, RI
2005 The Gift, Queens Museum of Art, Queens, NY
Dark Places, Santa Monica Museum of Art, curated by Joshua Decter,
Santa Monica, CA
Digital Urbanisms, Pace University, Digital Salon, curated by Annette Weintraub,
NY, NY
2004 Popular Science, C.A.R.E. Packages for the 21st Century. Urban Lodestar, NY, NY
2004 Tribute In Light, temporary model in the NYC Panorama, Queens Museum, Queens, NY
2003 Designing the High Line, Grand Central Station, NY, NY
2002 New York after New York, Musee de d’Elysee, Lausanne, Switzerland
A New World Trade Center, Venice Biennale of Architecture, Venice, Italy
2001 A New World Trade Center, Max Protetch Gallery, NY, NY
I Love New York, Friedrich Petzel Gallery, NY, NY
2000 Pleasure Treasure: Recent Acquisitions from the Collection of Eileen and Peter Norton.
Harriet & Charles Luckman Fine Arts Gallery, Los Angeles, CA
1999 Memes, Andrew Kreps Gallery, NY, NY
Blueprint, Gallery Spark, (curated by Sebastiaan Bremer & Pieter Woudt.
Catalogue pp. 13, 15), NY, NY
1998 Free Coke, GreeneNaftali Gallery, NY, NY
1997 KolnSkulptur 1, sculpture park, Koln, Germany
Here and There, Friedrich Petzel Gallery, NY, NY
Landscape: The Pastoral to the Urban, Bard College, curated by Vasif Kortun,
Annadale-on Hudson, NY
1996 Video Sans Titre, Galerie Froment-Putman, Paris, France
1995 La Belle et la Bete, Musee d'Art Moderne de la Ville de Paris, (curated by Lynn
Gumpert), Paris, France
The Monster Show, curated by Bonnie Clearwater, Center of Contemporary Art,
Miami, FL
Komix, Brooke Alexander Editions, NY, NY
1994 Bring Your Own Space, W 139, Amsterdam, Holland
Oh Boy, It's a Girl, Kunstverein München, Germany
Untitled Groupshow, Metro Pictures, NY
Museum auf Zeit, slide projections at Museum Fridericianum, Kassel, Germany
Don't Look Now, curated by Joshua Decter, Thread Waxing Space, NY, NY
1993 Frauenkunst/Maennerkunst, Museum Fridericianum (Kunstverein Kippenberger),
Kassel, Germany
WRITINGS
Glittering Machines. www.caldaria.org, 2014
Interview with Bradley Pitts, the Creators Project (produced by Intel & VICE), 2014
Entry in MYNY, Werner W. Lorke, New York City, 1987-2001. 2008
Jill Greenberg, Don't Look Now, catalogue Afterward for her book, Monkey Portraits. 2007
Jill Greenberg, Monkey Portraits, catalogue essay. 2005
Reflections on the Tribute in Light. Columbia University International Photography Symposium Catalogue. 2003
Pieter Schoolwerth, Flash Art. September. 2001
John Currin, Flash Art. January-February. 2000
Julian LaVerdiere, Art/Text. March. 2000
Julian LaVerdiere, Flash Art. January-February. 2000
Charlie White, Flash Art. 1999
Sea Change, Flash Art. November-December. P. 74. 1999
Dialogue in Feed Magazine (feedmag.com) with Philipe Vergne, Martha Rosler & Rhea Anastas, organized by Stefanie Symans and Robert Reynolds
Transit, Introduction to artists book by Marco Brambilla. 1998
Paul D. Miller, a.k.a. DJ Spooky at Anina Nosei, Art in America, February. 1997
Pieter Schoolwerth, Art in America, No. 4, April 1997, p. 20. 1997
Lisa Roberts, Art in America. 1997
Alexander Ku, Frieze, Number 27, March-April, pp. 69-70. 1996
Paul Ramirez Jones, Frieze, Number 28, May, pp.76/77. 1996
Alison Saar: Strange Fruit and Kiki Smith, Frieze, Number 26, January-February, pp. 64-65. 1996
Return of the Hero, Martin Kippenberger, Frieze, Number 20, January - February. 1995
Tim Rollins & K.O.S., Frieze, Number 22, May - June. 1995
Gary Hill, Frieze, Number 25, November - December, pg. 70-71. 1995
Thom Merrick, Frieze, Number 21, March - April. 1995
Laughing Yourself Different, ACME Journal, Vol. 1, No. 3, 1994. NY, NY, pp. 76-79.
And Again, But Then, .Being Not Within. A Journal of Hijacked Pages, ACME Journal, Vol. 1, No. 3, 1994. NY, NY.
The Slave Owner's Kindness and the Jest's Prosperity. Texte Zur Kunst, written with Ronald Jones, Spring. Cologne, Germany, pg. 138 - 143. 1993
Amateur Genealogists, Neue Bildende Kunst.No. 6, East Berlin, Germany, pg.11-14. 1993
We Don't Have Problems With Weeds. Texte Zur Kunst, written with Friedrich Petzel, Spring, 1992. Cologne, Germany, pg. 201 - 203
This Pornographic Game of Writing. ACME Journal, Vol. 1, No. 2, 1992. NY, NY.
The Difference Engine. Texte Zur Kunst, written with Friedrich Petzel, Summer, 1991. Cologne, Germany, pg 98 - 101.
| Year | Degree | Institution |
|---|---|---|
| 1994 | MFA | Yale University |
| 1989 | BFA | Rhode Island School of Design |
2019
Richard B. Salomon Faculty Research Award
2015-24
Humanities Research Grant, Brown University
2014
Humanities Research Grant, Brown University
RISD-Brown Provosts’ Development Grant with Dean Snyder (RISD, Chairperson Sculpture) for Robotics and Sculpture
2013
Humanities Research Grant, Brown University
Richard B. Salomon Faculty Research Award
Undergraduate Teaching and Research Awards: 2 students, Brown University
Humanities Initiatives Funded Project: Design and the Civic Space. With Erik Ehn,
Theatre Arts and Performance Studies; Dietrich Neumann, History of Art & Architecture; and Roger Nozaki, Swearer Center
Creative Arts Council Curriculum Development Grant for 3D Printing
2012
Creative Arts Council Curriculum Development Grant for Kinetic Sculpture Studio
Humanities Research Grant, Brown University
Dean of the Faculty Grant, Brown University
2011
Undergraduate Teaching and Research Awards: 3 students, Brown University
Humanities Research Grant, Brown University
2010
Undergraduate Teaching and Research Awards: 2 students, Brown University
Creative Arts Council Curriculum Development Grant for Experimental Musical Instrument Design with Joseph Rovan (Dept. of Music)
Humanities Research Grant, Brown University
2009
Research Experiences for Undergraduate (REU) grant, Engineering LEDs to Illuminate Public Art, National Science Foundation (NSF), with Prof. R. Zia (Dept. Engineering)
Creative Arts Council Curriculum Development Grant for The Art and Science of Light with Prof. R. Zia (Dept. Engineering)
Humanities Research Grant, Brown University
Grant from Brown University’s Instructional Technology Group
2008
Undergraduate Teaching and Research Awards: 4 students, Brown University, with Prof. R. Zia (Dept. Engineering)
Humanities Research Grant, Brown University
2007
Howard Foundation Fellowship: 21st Century Architectural Ornamentation
Wayland Curricular Development Grant, Brown University: The Art + Science of Light
2004
Popular Science, C.A.R.E. Packages for the 21st Century. 2nd Prize, Urban Lodestar
2003
Friends of the Highline, Designing the High Line, Jury Selection, 2003
The Sixteenth Annual Brendan Gill Prize, Award for the Tribute in Light, Awarded for the work of art that best captures the spirit of New York
2002
International Association of Art Critics, Award for Best Public Art Show Awarded to the creative team, of the Tribute in Light Memorial
NY Society of Architects: 96th annual Distinguished Service Award, Awarded to the creative team, of the Tribute in Light Memorial
Society for Publication Design: Gold Medal, Magazine Cover of the Year Awarded to the New York Times Sunday Magazine, September 23, 2001, For the Image of “The Phantom Towers” by Laverdiere & Myoda
2001
LEF Foundation, Public Art Grant Granted to Creative Time for development of the Tribute in Light Memorial
Aber D. Unger Foundation, Public Art Grant Granted to Creative Time, for development of the Tribute in Light Memorial
New York Times Company Foundation, Arts Grant, Granted to Creative Time, for the development Tribute in Light Memorial
2000
National Endowment for the Arts, Creativity and Presentation Grant Granted to Creative Time's DNAid initiative
2000
Warhol Foundation, Public Art Grant
Jerome Foundation, Emerging Artist Grant
Titus Foundation, Public Art Grant
Greenwall Foundation, Artist Grant
| Name | Title |
|---|---|
| Ehn, Erik | Professor of Theatre Arts and Performance Studies |
| Rovan, Joseph | Professor of Music |
| Zia, Rashid | Professor of Engineering, Professor of Physics |
Sculpture: Material Investigations
Sculpture: Conceptual Propositions
Experimental Musical Instrument Design (with J. Rovan)
Art & Science of Light (with R. Zia)
Foundation: Media
Foundation: Art
Foundation: 3D
Advanced Foundation: Art
Senior Honors Seminar
Concentration Seminar
| VISA 0100 - Studio Foundation |
| VISA 0130 - 3-D Foundation |
| VISA 1110 - Drawing |
| VISA 1110 - Drawing I |
| VISA 1150 - Illuminated Sculpture |
| VISA 1410 - Sculpture: Material Investigations |
| VISA 1420 - Sculpture II: Conceptual Propositions |
| VISA 1800C - Honors Seminar |
