Neoliberalism and Global Theatres: Performance Permutations, co-edited with Lara Nielsen, (London: Palgrave Macmillan, 2012).
Performing Conquest: Five Centuries of Theatre, History and Identity in Tlaxcala, Mexico (Ann Arbor: University of Michigan Press, 2009).
Book Chapters and Refereed Articles
“Latino/a Dramaturgy as Historiography,” Time Space Matter: Theatre Historiography. Edited by Rosemarie Bank and Michal Kobialka. (Palgrave Macmillan, 2015..
“Young Jean Lee’s Cruel Dramaturgy. Modern Drama. 57.4 (Fall 2014) Forthcoming.
"Fighting for a Future in a Free Trade World" in Neoliberalism and Global Theatres: Performance Permutations, co-edited with Lara Nielsen, (Palgrave Macmillan, 2012): 113-127.
"Neoliberalism, Historiography, Identity Politics: Toward a New History of Latino Theatre," co-written with Jon Rossini, Radical History Review, Issue 112 (Winter 2012): 162-172.
“Performing History as Memorialization: Thinking with And Jesus Moonwalks the Mississippi and Brown University’s Slavery and Justice Committee,” in Scott Magelssen and Rhona Justice-Malloy, eds., Enacting History (Birmingham: University of Alabama Press, 2011): 113-133.
“Havana Isn’t Waiting: Staging Travel During Cuba’s Special Period,” In Ramon Rivera-Servera and Harvey Young, eds., Performance in the Borderlands (London: Palgrave MacMillan, 2010): 58-81.
“History Takes Time,” in Henry Bial and Scott Magelssen, eds.,Theatre Historiography: Critical Questions (Ann Arbor: University of Michigan Press, 2010).
“Mexican Theater History and Its Discontents: Politics, Performance and History in Mexico,” Modern Language Quarterly, 70.1 (March 2009): 133-145.
“The Revolution Fails Here: Cherríe Moraga’s The Hungry Woman as Mexican Medea,” Aztlan: A Journal of Chicano Studies, 33.1 (Spring 2008): 63-88.
“Archeological Performances in Tlaxcala, Mexico,” in Kiki Gounaridou, ed., Theatre and Nationalism (Jefferson, NC and London: McFarland Press, 2005), 186-210.
“The Whole Thing Is Over by Nine O’ Clock’: The Rude Mechs’ adaptation of Greil Marcus’ Lipstick Traces,” Journal of Dramatic Theory and Criticism, 19.2 (Spring 2005): 7-30.
“Re-imagining identity and Re-centering History in Tlaxcalan Performance,” Theatre Journal, 55.4 (December 2003): 633-655.
“Performing The Site of Complicity: A Re-evaluation of Fray Motolinia’s 1541 Account of the 1538 and 1539 Corpus Christi Festivals in Tlaxcala, Mexico,” Gestos 30, (November 2000): 31-49.
"Hebbel's Klara as Kierkegaard's Modern Antigone," Text and Presentation, (1999): 35-46.