| "Primed for Suffering: Gender, Subjectivity, and Spectatorship in Spanish Crisis Cinema." boundary 2, vol. 48, no. 3, 2021, pp. 215-251. |
| "Rural Space and Gendered Subjectivity in Carlos Saura’s Elisa, vida mía (1977) and El séptimo día (2004)." Arizona Journal of Hispanic Cultural Studies, vol. 25, 2021, pp. 155-178. |
| "Queering the Paternal Archive: Photography, Hybridity and Embodiment in Pilar Monsell's África 815." Hispanic Review, vol. 88, no. 3, 2020, pp. 289-316. |
| Inhabiting the In-Between: Childhood and Cinema in Spain's Long Transition. University of Toronto Press, 2019. |
| "Review Essay: Childhood in Cinemas. Sarah Wright: The Child in Spanish Cinema (2013); Sophie Dufays: El niño en el cine argentino de la postdictadura (1983-2008): alegoría y nostalgia (2014); Rachel Randall: Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency (2017)." studies in spanish and latin american cinemas, vol. 15, no. 3, 2018, pp. 397-402. |
| "Sarah Wright, The Child in Spanish Cinema." The Modern Language Review, vol. 112, no. 1, 2017, pp. 276-278. |
| Sarah Thomas. "Sentimental Objects: Nostalgia and
the Child in Cinema of the Spanish
Memory Boom." Revista Candiense de Estudios Hipánicos, vol. 42, no. 1, 2017, pp. 145-171. |
| "The Places of the Subject: Abjection and the Transcendent City in Nada and La plaça del Diamant.” In The Sacred and Modernity in Urban Spain: Beyond the Secular City, ed. Antonio Córdoba and Daniel García-Donoso.", New York, Palgrave Macmillan, 2016, pp. 79-98. |
| "Phantom Children: Ghostly Presences and the Violent Past in Two Films of Contemporary Spain.” In Espectros: Ghostly Hauntings in Contemporary Transhispanic Narratives, ed. Alberto Ribas-Casasayas and Amanda L. Petersen.", Lewisburg, PA, Bucknell University Press, 2016, pp. 101-116. |
| Thomas, Sarah. "Rupture and reparation: Postmemory, the child seer and graphic violence in Infancia clandestina (Benjamín Ávila, 2012)." Studies in Spanish & Latin-American Cinemas, vol. 12, no. 3, 2015, pp. 235-254. |
| Thomas, Sarah. "Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film ed. by Stephanie Dennison." Revista de Estudios Hispánicos, vol. 48, no. 3, 2014, pp. 647-649. |
| "‘Yo no soy invisible:’ Imaginative Agency in Las malas intenciones.” In Screening Minors in Contemporary Latin American Film, ed. Carolina Rocha and Georgia Seminet.", Lanham, MD, Lexington Books, 2014, pp. 53-67. |
| "Like Mother, Like Daughter?: Generational Memory and Intergenerational Dialogue in Josefina Aldecoa’s Historical Memory Trilogy.”." Letras Hispanas, vol. 8, no. 2, 2012, pp. 108-123. |
| Glez, Mar Gómez, Thomas, Sarah L. "Translating “The Sale”: A Conversation between Mar Gómez Glez and Sarah L. Thomas." Translation Review, vol. 81, no. 1, 2011, pp. 114-123. |
| "Ghostly Affinities: Child Subjectivity and Spectral Presences in El espíritu de la colmena (1973) and El espinazo del diablo (2001).”." Hispanet, vol. 4, 2011, pp. s/n. |