Professor Richter publishes in the general areas of European critical thought and modern German literature and culture.
He is the author of Inheriting Walter Benjamin ("Walter Benjamin Studies" Series, London: Bloomsbury, 2016); Verwaiste Hinterlassenschaften. Formen gespenstischen Erbens (Berlin: Matthes & Seitz, 2016); Afterness: Figures of Following in Modern Thought and Aesthetics (Columbia University Press, 2011); Thought-Images: Frankfurt School Writers' Reflections from Damaged Life (Stanford University Press, 2007); Ästhetik des Ereignisses. Sprache-Geschichte-Medium (Fink, 2005); and Walter Benjamin and the Corpus of Autobiography (Wayne State University Press, 2000; 2nd edition, 2002).
In addition to his single-author books, Professor Richter has published seven edited books, including Benjamin's Ghosts: Interventions in Contemporary Literary and Cultural Theory (Stanford University Press, 2002); Literary Paternity, Literary Friendship (University of North Carolina Press, 2002); Sound Figures of Modernity: German Music and Philosophy (University of Wisconsin Press, 2002, co-ed. with Jost Hermand); Language without Soil: Adorno and Late Philosophical Modernity (Fordham University Press, 2010); Jacques Derrida, Copy, Archive, Signature: A Conversation on Photography (Stanford University Press, 2010); Benjamins Grenzgänge - Benjamin's Frontiers (Königshausen & Neumann, 2013, co-ed. with Karl Solibakke and Bernd Witte); and Give the Word: Responses to Werner Hamacher's 95 Theses on Philology, co-ed. with Ann Smock (Lincoln: University of Nebraska Press, forthcoming).
He also has published well over 60 articles and book chapters in venues such as MLN, New German Critique, differences, Zeitschrift für kritische Theorie, Oxford Literary Review, Weimarer Beiträge, The Cambridge Companion to Walter Benjamin, The German Quarterly, Monatshefte, Telos, Grey Room, Journal of Visual Culture, CR: The New Centennial Review, qui parle, German Politics and Society, Symploke, Angelaki: Journal of the Theoretical Humanities, and Culture, Theory, and Critique.
Some of Professor Richter's recent journal articles and book chapters (since 2010) include "Judging By Refraining from Judgment: The Artwork and Its Einordnung," The Palgrave Handbook of Critical Theory, ed. Michael J. Thompson. Series: Political Philosophy and Public Purpose. (Palgrave Macmillan, 2017); "The Prize and Price of Thinking and Thanking: False Life, Living on," MLN (Johns Hopkins University Press) 131:5 (Comparative Literature Issue) (December 2016); "Homeless Images: Kracauer’s Extraterritoriality, Derrida’s Monolingualism of the Other” (Chapter 3 of Thought-Images), reprinted in Extraterritorialities in Occupied Worlds, eds. Maayan Amir and Ruti Sela (Punctum, 2016); “The Artwork without Cardinal Direction: Notes on Orientation in Adorno.” MLN (Johns Hopkins University Press) 131: 3 (German Issue) (April 2016); "Nazism and Negative Dialectics: Adorno's Hitler in Minima Moralia" (Chapter 4 of Thought-Images), reprinted in two-volume reference anthology Theodor W. Adorno II, ed. Espen Hammer, Series: Critical Assessments of Leading Philosophers (Routledge, 2016); "The Debt of Inheritance Revisited: Heidegger's Mortgage, Derrida's Appraisal," Oxford Literary Review 37:1 (2015); "Critique and the Thing: Benjamin and Heidegger," Sparks will Fly: Benjamin and Heidegger, eds. Andrew Benjamin and Dimitris Vardoulakis. SUNY Series in Contemporary Continental Philosophy. (SUNY Press, 2015); "Mit der Zeit gehen," Benjamins Grenzgänge - Benjamin's Frontiers (Königshausen & Neumann, 2013); "Die Seminare über Schiller und Herder. Von der Freiheit zur Sprache," Heidegger-Handbuch. Leben-Werk-Wirkung, 2nd ed. (Metzler, 2013); "Gespräch über Bäume," Zeitschrift für kritische Theorie 33-34 (2012); "Walter Benjamin (1892-1940) and Theodor W. Adorno (1903-1969)," Aesthetics: The Key Thinkers, ed. Alessandro Giovanelli (Continuum, 2012); "Die Erbschaft der Konstellation. Adorno und Hegel," MLN 126: 3 (2011); "Benjamin's Blotting Paper: Writing and Erasing a Theological Figure of Thought," Symposium 65: 1 (2011); "Love as Resistance: A Miniature after Adorno," Culture Industry Today, ed. Fabio Akcelrud Durão (Cambridge Scholars Publishing, 2010); "Can Anything Be Rescued by Defending It? Benjamin with Adorno," differences 31: 3 (2010), also in Portuguese translation as "Pode algo ser salvo ao ser defendido? Benjamin com Adorno," trans. Tauan Tinti, Remate de Males: Revista de Teoria e História Literária30: 1 (2010); "Der Schatz der Bilder. Bild und Erinnerung bei Heidegger," Weimarer Beiträge 56: 3 (2010); "The Work of Art and Its Formal and Genealogical Determinations: Benjamin's 'Cool Place' between Kant and Nietzsche," Grey Room 39 (2010); "Between Translation and Invention: The Photograph in Deconstruction," Introduction to Jacques Derrida, Copy, Archive, Signature: A Conversation on Photography (Stanford, 2010); "Acts of Memory and Mourning: Derrida and the Fictions of Anteriority," Memory: Histories, Theories, Debates, ed. Susannah Radstone and Bill Schwarz (Fordham, 2010); "Introduction," Language without Soil: Adorno and Late Philosophical Modernity (Fordham, 2010).
Most recently, Richter has delivered invited lectures, keynote addresses, and guest seminars on his research at institutions such as Cornell, UC Berkeley, Rutgers, NYU, Penn, Yale, Princeton, Dartmouth, University of Georgia, Harvard, Johns Hopkins, University of Minnesota, SUNY Buffalo, Syracuse, Clark, University of Wisconsin-Madison, Penn State, UCLA, Northwestern, UC Irvine, UC Davis, Friedrich-Schiller-Universität Jena (Germany), Universität Bonn (Germany), Universität Lüneburg (Germany), Universität Düsseldorf (Germany), Andrássy University (Budapest), Universidade Estadual de Campinas (Brazil), Saint Petersburg State University (Russia), the Theater Freiburg & the Museum Freiburg, and the San Francisco Museum of Modern Art.