Michael P. Steinberg Barnaby Conrad and Mary Critchfield Keeney Professor of History and Music, Professor of German Studies

Michael P. Steinberg is Director of the Cogut Center for the Humanities and Professor of History and Music at Brown University. He also serves as Associate Editor of The Musical Quarterly and The Opera Quarterly. He was a member of the Cornell University Department of History between 1988 and 2005. Educated at Princeton University and the University of Chicago, he has been a visiting professor at these two schools as well as at the Ecole des Hautes Etudes en Sciences Sociales in Paris and National Tsing-hua University in Taiwan. His main research interests include the cultural history of modern Germany and Austria with particular attention to German Jewish intellectual history and the cultural history of music. He has written and lectured widely on these topics for the New York Times and at the Lincoln Center for the Performing Arts, the Bard Music Festival, and the Salzburg Festival. He has received fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, the John Simon Guggenheim Memorial Foundation as well as the Berlin Prize from the American Academy, Berlin. He is the author of studies of Hermann Broch, Aby Warburg, Walter Benjamin, and Charlotte Salomon, and of Austria as Theater and Ideology: The Meaning of the Salzburg Festival (Cornell University Press, 2000), of which the German edition (Ursprung und Ideologie der Salzburger Festspiele; Anton Pustet Verlag, 2000) won Austria's Victor Adler Staatspreis in 2001. Listening to Reason: Culture, Subjectivity, and 19th- Century Music appeared Princeton University Press in early 2004; Judaism Musical and Unmusical was published by the University of Chicago Press in 2007. He serves as a director of the Barenboim-Said Foundation (U.S.A.) and, between 2010 and 2013, as dramaturg to the new production of Wagner's Ring of the Nibelung at the Teatro alla Scala, Milan, and the Berlin State Opera.

Brown Affiliations

research overview

Professor Steinberg's interests and areas of specialization include Modern European cultural and intellectual history, German Jewish history, the history and theory of modernity, politics and the arts, and the cultural history of music.

research statement

Professor Steinberg's main research interests include the cultural history of modern Germany and Austria with particular attention to German Jewish intellectual history and the cultural history of music. He has written and lectured widely on these topics for the New York Times , as well as at the Lincoln Center for the Performing Arts, the Bard Music Festival, and the Salzburg Festival. He has received fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, and the John Simon Guggenheim Memorial Foundation, as well as the Berlin Prize from the American Academy, Berlin. He is the author of studies of Hermann Broch, Aby Warburg, and Walter Benjamin, and the book Austria as Theater and Ideology: The Meaning of the Salzburg Festival (Cornell University Press, 2000), of which the German edition (Ursprung und Ideologie der Salzburger Festspiele; Anton Pustet Verlag, 2000) won Austria's Victor Adler Staatspreis in 2001. A book titled Listening to Reason: Culture, Subjectivity, and 19th- Century Music appeared with Princeton University Press in early 2004 (paperback edition 2006). Another book, Reading Charlotte Salomon , co-edited with Monica Bohm-Duchen, appeared with Cornell University Press in early 2006. A volume of collected essays entitled Judaism Musical and Unmusical is forthcoming from the University of Chicago Press.

funded research

Professor Steinberg has been the recipient of grants and fellowships from the John Simon Guggenheim Memorial Foundation, the National Endowment for the Humanities, the American Council of Learned Societies, and the American Academy Berlin (Berlin Prize)