MOST RECENT PUBLICATIONS (for full list see CV):

“My Father’s Musical Time Capsule: OnTin Pan Alley Songs (1920 – 50), Sheet Music, and the American Dream That Got Away”
Musical Quarterly (Spring-Summer 2015) 98 (1-2): 100-138.
DOI: 10.1093/musqtl/gdv009 First published online: October 16, 2015

Reprint link [PDF]:

http://mq.oxfordjournals.org/cgi/reprint/98/1-2/100?ijkey=JLwDmm8lrcEVY&keytype=ref&siteid=musqtl

Full Content Link [HTML]

http://mq.oxfordjournals.org/cgi/content/full/gdv009?ijkey=JLwDmm8lrcEVY&keytype=ref&siteid=musqtl

-------------------------------------------------------------------------------------------------

“Ennen kuin kuolen, haluan oppia soitamaan banjoa” [“Before I die, I want to learn to play the banjo,” in “Questions on Music for Five Experts – Part Two,” ed. by Noora Tienaho and Jarkko S. Tuusvuori, niin & näin 3/15 [http://netn.fi/lehti/niin- nain-315] = niin & näin, filosofinen aikakauslehti , music issue, No. 86, March 2015]. The five written interviews are on pp. 36-51. Mine, Part 2, is on pp. 39-41.

The English version of my interview (from which the Finnish was translated) can be found at http://netn.fi/artikkeli/questions-on-music-for-five-experts-part-two
[also at ks. suomenkielinen versio]

------------------------------------------------------------------------------------------------------------

“The Unwriteable in Full Pursuit of the Unreadable: Adorno’s Philosophie der neuen Musik in Translation.” Review article on the new translation of Adorno’s Philosophy of New Music and issues of translation more generally (Long essay + two long comparative tables of German and

Rose Rosengard Subotnik, Curriculum Vitae, through December 3, 2015: p. 4 English texts): Music Analysis, 30/i (2011), 89-139, and Supplement

(Critical Forum), Music Analysis 30/ii–iii (2011), 397-466.

--------------------------------------------------------------------------------------------------------------

“Editorial: Six-part Counterpoints,” British Postgraduate Musicology, 6th ed., 2004. [a novelty item by 7 senior musicologists]
(see http://www.bpmonline.org.uk/bpm6-editorial.html)

Elected Honorary Member American Musicological Society, November, 2009. Honorary Membership to the AMS is granted to those "long-standing members of the Society who have made outstanding contributions to furthering its stated object." Between 1961 and 2009, this award has gone to 58 scholars, starting with the most eminent founders of the field.

Awarded the American Musicological Society’s H. Colin Slim Award, November, 2009, for the article "Shoddy Equipment for Living?: Deconstructing the Tin Pan Alley Song," in Musicological Identities: Essays in Honor of Susan McClary (Ashgate, 2008), pp. 205-18.

The by-laws of the society state that the H. Colin Slim Award "honors each year a musicological article of exceptional merit, published during the previous year in any language and in any country by a scholar who is past the early stages of her or his career and who is a member of the AMS or a citizen or permanent resident of Canada or the United States."

(No musicologist has previously been both Honorary Membership in AMS and a major AMS scholarly award in the same year).

Howard Foundation Fellowship, 1996-97.
Guggenheim Fellowship, 1977 (used 1978-79).
American Council of Learned Societies Fellowship, 1977-78. Kent Fellowship (Danforth Foundation), 1970-73.
American Association of University Women Fellowship, 1970-71.
Barrett Graduate Fellowship (Wellesley College), 1968-69.
Fulbright Scholarship (Vienna), 1965-66.
Also
New York Public Library: Dorothy and Lewis B. Cullman Center for Scholars and Writers. Alternate in Fellowship Competition, 2004-2005.
Columbia University Graduate Fellowships (1963-65).
Graduated first in class, Wellesley College, 1963.
Phi Beta Kappa (Junior Year), 1962.