|Krause, Virginia Véronique Duché-Gavet . Si du mont Pyrenée / N'eussent passé le haut fait . . . : Les romans sentimentaux traduits de l'espagnol en France au XVI e siècle . Bibliothèque Littéraire de la Renaissance 76. Paris : Honoré Champion Éditeur , 2008 . 628 pp. index. append. illus. bibl. €115. ISBN: 978–2–7453–1800–8. . Renaissance Quarterly. 2009; 62 (3) : 893-894.|
|Krause, Virginia :Amadis de Gaule. Renaissance Quarterly. 2008; 61 (1) : 182-184.|
|Krause, Virginia :Amadis de Gaule. Renaissance Quarterly. 2006; 59 (3) : 887-889.|
|Krause, Virginia :Le masque de Lancelot: Lumières de la Renaissance au XVe siècle. Renaissance Quarterly. 2005; 58 (2) : 613-615.|
|Krause, Virginia Usages et theories de la fiction: Le debat contemporain a l'epreuve des textes anciens (XVI-XVIIIe siecles) (review). French Forum. 2005; 30 (2) : 144-146.|
Virginia Krause's research focuses on Renaissance France
Having worked on idleness, witchcraft, and now on the rise of the novel, Professor Krause is interested not in the Renaissance's positivistic endeavors and productions, but rather in its more opaque pursuits, those undertaken in the shadows. In Idle Pursuits (2003), for instance, she did not set out to investigate the busy professional reality of the hommes de lettres in France's Fourth Estate, but rather their investments in an alternative economy of prestige: not what they did (their work), but rather their art of idleness practiced in the shadow of their public lives. Witchcraft, Demonology, and Confession (2015) examines the methods employed by demonologists, specialists in the early modern "science of demons," without neglecting the point of view of the "witch"– someone denounced by neighbors and interpellated to speak as a witch in the course of an early modern trial for witchcraft. Her current project, The Rise of the Novel in Early Modern France examines a genre occupying an elusive place in the literary landscape of the time insofar as it fell outside the purview of classical poetics and rhetoric. With no constituted "theory of the novel" in Renaissance France, the early novel emerged in a literary no-man's land. Forever in the shadow of epic but without the recognition and stature of this most prestigious of genres, the early novel was free to invent itself as it went along, offering new terrain for writers interested in experimental fictions.
In all of her books, completed and in progress, Krause turns her critical gaze to oblique, dimly lit places, not out of fascination for the arcane or obscure, but because for the early modern period, what we know is vastly outweighed by what remains unknown. She seeks new answers to old questions: what social stratum produced France's literary elite (Idle Pursuits), what drove the infernal machine of the early modern witch-hunts (Witchcraft, Demonology, and Confession) and in what cultural and literary terrain was the early novel able to take root (The Rise of the Novel). But she also seeks new questions: what cultural capital was produced through idleness, what forms of subjectivity were possible in an early modern trial for witchcraft, how were the mechanics of the early novel practiced. This period is for her a labyrinth and shifting the gaze away from dominant paradigms opens new paths of inquiry.
Witchcraft, Demonology, and Confession in Early Modern France (Cambridge University Press, 2015).
Idle Pursuits: Literature and ‘Oisiveté’ in the French Renaissance (University of Delaware Press, 2003).
Jean Bodin, De la démonomanie des sorciers, co-edited with Christian Martin and Eric MacPhail (Droz, 2016).
“Sorcellerie et subjectivité: la sorcière, bête d’aveu ? (Les Anormaux dans le sillon de L’Histoire de la sexualité),” Foucault et la Renaissance, ed. Olivier Guerrier (Paris: Les Classiques Garnier, forthcoming).
"Witchcraft and Subjectivity: The Trial of the Marlou Witches (1582-83)," Memory and Community in Sixteenth-Century French Literature, ed. David Laguardia and Cathy Yandell (Farnham, UK: Ashgate University Press, 2015): 217-241.
“Listening to Witches: Bodin’s Use of Confession in De la Démonomanie des sorciers,” The Reception of Jean Bodin. Ed. Howell Lloyd (Leiden: Brill, 2013): 97-115
"Montaigne's Errors of Youth: Lyricism and Confession in "Sur de vers de Virgile," Montaigne Studies XVIII (Spring 2006): 25-36.
"Confessional Fictions and Demonology in Renaissance France," Journal of Medieval and Early Modern Studies 35.2 (Spring 2005): 327-34.
|1996||PhD||University of Wisconsin at Madison|
|1992||MA||University of Wisconsin at Madison|
|FREN 0720A - De l'Amour courtois au désir postmoderne|
|FREN 1000B - Littérature et culture: Chevaliers, sorcières, philosophes, et poètes|
|FREN 1410I - Sorcellerie et Renaissance: le sort de la sorcière|
|FREN 1410T - L'expérience des réfugiés/immigrés|
|FREN 1900J - lhumain - linhumain|
|FREN 2110A - La Naissance du roman Français|
|FREN 2110G - Savoirs et non-savoirs de la Renaissance|