| Quashie, Kevin. "A Flash of Life and Light." The Journal of African American History, vol. 106, no. 1, 2021, pp. 122-126. |
| Black Aliveness, or A Poetics of Being. Duke University Press, 2021. |
| Quashie, Kevin. "Black Lyric Privacy." The Black Scholar, vol. 51, no. 1, 2021, pp. 51-61. |
| Quashie, Kevin, Fish, Amy. "A Subjunctive Imagining: June Jordan’s Who Look at Me and the Conditions of Black Agency." Literary Cultures and Twentieth-Century Childhoods, 2020, pp. 51-71. |
| Quashie, Kevin. "Queer. Caribbean. Miami. Boy: A Personal Geography." Anthurium A Caribbean Studies Journal, vol. 16, no. 1, 2020. |
| "Black on Both Sides: A Racial History of Trans Identity, by C. Riley Snorton (review)." The ALH Online Review Series, 2019. |
| Quashie, Kevin. "The Black Woman as Artist: The Queer Erotics of Rita Dove's Beulah." Tulsa Studies in Women's Literature, vol. 37, no. 2, 2018, pp. 397-418. |
| Quashie, Kevin. "To Be (a) One: Notes on Coupling and Black Female Audacity." differences, vol. 29, no. 2, 2018, pp. 68-95. |
| Kevin Quashie. "Blessings of Funky Aliveness." 2017. |
| Kevin Quashie. "The Quiet of Blackness: Miles Davis and John Coltrane." Audio Culture: Readings in Modern Music, 2ed, edited by Christoph Cox and Daniel Warner, new york, new york, Bloomsbury Academic, 2017, pp. 73-84. |
| Kevin Quashie. "Black Masculinity and Queer Gendering in Rita Dove’s Thomas and Beulah." CLA Journal, vol. 59, no. 4, 2016, pp. 364-380. |
| Kevin Quashie. The Sovereignty of Quiet: Beyond Resistance in Black Culture. Rutgers University Press, 2012. |
| Kevin Quashie. "More Than You Know: The Quiet Art of Whitfield Lovell." The Massachusetts Review, vol. 52, no. 1, 2011, pp. 58-63. |
| Kevin Quashie. "The Trouble with Publicness: Toward a Theory of Black Quiet." African American Review, vol. 42, no. 2-3, 2009, pp. 329-343. |
| Kevin Quashie. Black Women, Identity, and Cultural Theory: (Un)Becoming the Subject. Rutgers University Press, 2004. |
| Kevin Quashie. "The Other Dancer as Self: Girlfriend Selfhood in Toni Morrison’s Sula and Alice Walker’s The Color Purple." Meridians: feminism, race and transnationalism, vol. 2, no. 1, 2001, pp. 187-217. |