Refereed Journal Articles
“The Emotive Object in Medieval China.” The Journal of Chinese Literature and Culture 6, no. 1 (April 2019): 56–95.
"Liquidity, Technicity, and the Predictive Turn in Chinese Ceramics." Grey Room 69 (Fall 2017): 24–49.
“Why Cauldrons Come First: Taxonomic Transparency in the Earliest Chinese Antiquarian Catalogs.” Journal of Art Historiography 11 (December, 2014): 1–23.
“Authority in Visual Exegesis.” Literature & Aesthetics 22.2 (December, 2012): 72–86.
“The Ethics of Immutable Things: Interpreting Lü Dalin’s Illustrated Investigations of Antiquity.” Harvard Journal of Asiatic Studies 72.2 (2012): 259–293.
“One Land of Many Places: The Geographic Integration of Local Culture in the Southern Song.” Journal of Song-Yuan Studies 42 (2012): 235–278.
Refereed Book Chapters
“Learning with Metal and Stone: On the Discursive Formation of Jinshixue.” In Powerful Arguments: Standards of Validity in Late Imperial China, edited by Joachim Kurtz, Ari Levine, and Martin Hofmann, 135–174. Leiden: Brill, 2020.
Non-Refereed Publications
“Figuring Things: Early Scholarship on Chinese Bronzes.” In Mirroring China’s Past: Emperors, Scholars, and Their Bronzes, edited by Tao Wang, 104–107. Chicago: Art Institute of Chicago, 2018.
“Mist as Method,” Manual 9 (Fall 2017): 16–29.
Review of Peter N. Miller and François Louis, ed., Antiquarianism and Intellectual Life in Europe and China, 1500–1800 (2012); Alain Schnapp, et al., eds. World Antiquarianism: Comparative Perspectives (2013). Zhejiang University Journal of Art and Archaeology 2 (2015): 367–379.
Art in Time: A World History of Styles and Movements. New York: Phaidon Press, 2014. Eight entries on premodern traditions of Chinese painting.
With Colin Mackenzie, Keith Pratt, and Katie Hill. The Chinese Art Book. New York: Phaidon Press, 2013. Eighty-six entries on plastic arts prior to 1949.
“Rocky Towers, Hazy Views: The Urban Landscapes of Xu Jianguo.” Xu Jianguo Retrospective. Beijing: Xu Artspace, 2013.
Review of Chinese Art and Culture under the Mongols. National Palace Museum Symposium, 30–31 October 2001. Orientations, April 2002.
Translations of Academic Articles
Chen Pao-chen. “Painting as History: A Study of the Thirteen Emperors Attributed to Yan Liben.” In The History of Painting in East Asia: Essays on Scholarly Method, eds. John Rosenfield, et al., 55–93. Taipei: Rock Publishing, 2008.
Hsü Ya-hwei. “A New Interpretation of an Ancient Object: The National Palace Museum’s Yung-tse Academy Kuei Vessel.” NPM Bulletin 37:1 (July, 2003): 58–76.
Hsü Kuo-huang. “The Verdant Purity of Unbridled Ink: A Discussion of Shen Chou’s Landscape.” NPM Bulletin 36:2 (July, 2002): 5–28.
Yang Mei-li. “Jade Circles of the Ch’i-chia Culture.” NPM Bulletin 36:1 (Nov., 2001): 47–60.
Wang Yao-t’ing. “Ma Yüan’s Riding a Dragon: Taoist Beliefs and Physiognomy of Emperor Ning-tsung.” NPM Bulletin 35:5–6 (Nov–Dec, 2000 and Jan–Feb, 2001).
Selected List of Additional Translations
Imperial Taste: The Beauty of Calligraphy. Taipei: National Palace Museum, 2014. 180 pages.
Treasures of the National Palace Museum. Taipei: National Palace Museum, 2003, 2006, 2009. 180 pages.
The Beauty of Chün Ware. National Palace Museum CD-ROM. Released June, 2003. Comprehensive digital catalog of the NPM’s collection of Chün ware ceramics.
The Beauty of Enamelware. National Palace Museum CD-ROM. Released January, 2002. Comprehensive digital catalog of the NPM’s collection of enamelware.
Age of the Great Khan: Pluralism in Chinese Art and Culture under the Mongols. Taipei: National Palace Museum, 2001. Exhibition guidebook.
The Beauty of Chinese Painting. Taipei: National Palace Museum, 2001. Film translation and narration.
